MONOGRAPH
Schöneweiß, Feng. The Provenance of Monumental Vases: Chinese Porcelain, German Curators, and Global Art History in Dresden since 1700 (Berlin and Boston: De Gruyter, forthcoming 2026)
ARTICLES
(2025) Schöneweiß, Feng. “Precarity, Resilience, and Chen Wanli’s Museum Career in Twentieth-Century China,” Museum Worlds: Advances in Research 13 (2025): 82–93. Open Access
(2022) He, Feng. “Theatricality and Trans-Media Motif of Early Qing Narrative Porcelain.” In Women Cross Media: East Asian Photography, Prints and Porcelain from the Staatliche Kunstsammlungen Dresden edited by Sarah E. Fraser, Mio Wakita, and Lianming Wang, 132–144. Heidelberg: arthistoricum.net, 2022 (accepted in 2017). Open Access
(2020) Schöneweiß, Feng. “Text, Materialität und Monumentalität. Der Brief François-Xavier Dentrecolles’ aus dem Jahr 1722 und die Chinesischen Monumentalvasen in den Staatlichen Kunstsammlungen Dresden.” Keramos 249/250 (2020): 3–22.
(2020) Schöneweiß, Feng. “Is Art History of China Useless in a Pandemic?” British Journal of Chinese Studies 10 (July 2020). Open Access
(2018) He, Feng. “Ming Dramas as Sources for the Dancing Scene on Coromandel Lacquer Screens and Kangxi Porcelains.” Oriental Ceramic Society Newsletter 26 (May 2018): 3–6.
(2017) He, Feng. “Embodied Beauty: Feminizing Chinese Ceramics in Eighteenth-Century China and Europe.” In Wechselblicke: Zwischen China und Europa 1669–1907, edited by Matthias Weiß, Eva-Maria Troelenberg and Joachim Brand, 98–114. Berlin and Petersberg: Staatliche Museen zu Berlin and Michael Imhof Verlag, 2017.
(2017) He, Feng. “The Global Lives of a Female Dancer: Transcultural Identities of a Chinese Painting Motif.” Aziatische Kunst 47, no. 2 (2017): 5–12. Open Access
(2016) “德语国家艺术史研究动态 (2010–2015) [The Dynamics of Art History in German-Speaking Countries (2010–2015)].” 艺术学界 [Arts Study] 16, no. 2 (2016): 166–192. Co-author: Liang Shixin.
(2012) He, Feng. “文交所如何走出困境: 艺术品金融化新解和艺术市场三级体系的建立 [Cultural Property Exchange in the Triple System of the Art Market].” 艺术市场 [Art Market] 8 (2012): 38–41.
MUSEUM CATALOGUE
(2024) Schulenburg, Stephan Graf von der, Gerald Holzwarth, and Feng Schöneweiß. Im Garten der Zufriedenheit. Die Sammlung Chinesische Malerei im Museum Angewandte Kunst [In the Garden of Satisfaction: The Chinese Painting Collection at Museum Angewandte Kunst]. Edited by Stephan Graf von der Schulenburg. Frankfurt am Main: Museum Angewandte Kunst, 2024.
(2017) Hüsgen, Jan, and Romy Kraut, eds. Dresden · Europa · Welt. Dresden: Staatliche Kunstsammlungen Dresden, 2017. First author of sections on Chinese porcelain. Co-author: Sarah E. Fraser.
(2014) 上海大学博物馆艺术邀请展作品集 [Art Collections of Shanghai University Museum], Shanghai: Shanghai University Press, 2014. Co-edited with Tao Feiya, Guo Ji, and Li Xinzhi.
BOOK REVIEW
(2026) Review of Claudia Brown, Glorious Qing: Decorative Arts in China, 1644–1911. Seattle: University of Washington Press, 2024. Monumenta Serica 74.1 (June 2026).
(2025) Review of Patricia Buckley Ebrey, The Cambridge Illustrated History of China, third edition. H-Environment, H-Net Reviews (March 2025). Open Access